I went to Exeter on Saturday. I saw the Twin for a few hours then in the evening, in a different type of way, saw David Ford. I very much enjoyed the afternoon and evening. David Ford was/is a brilliant musician with a powerful, distinctive voice and a huge songwriting talent. He walked on and without a word began his song 'State of the Union' by playing and recording an instrument onto a loop which then continued playing as he sang and added in more and more instruments. It built up and up and up before he suddenly stopped the music and sang the last line unaccompanied. It was an amazing thing to witness live (not for the first time, YouTube has come to the rescue of my description).
Thinking about it afterwards I was in awe of his confidence at not mucking it up- it would really would have thrown a spanner in the works if he did as it would keep on playing over and over, and quickly become a whole set of spanners. This could easily have happened- during the gig he broke a string, the drum fell over, and his guitar strap came off - all of which would have caused a major problem with the recording bit.
Anyway, the gig was really good, but he is so intense, and the songs are so intensely downbeat that I found it quite draining. I'm not saying I think he shouldn't be intense, negative, and a bit miserable, but it really was an effort to get involved with each and every song as it consumed so much attention. After three or four songs I needed a few minutes relax and tell myself everything was going to be alright. In a 'normal' gig you can do this as you're stood up watching, dancing, or whatever and then you can go to the bar, have a joke with a friend or just throw some eye yarns round the room. In the venue he played, The Phoenix, everyone is sat down facing the stage and you're about 2 metres away from his guitar. It feels like it would be really rude to look away. You just have to sit there while he gives you both barrels and hope you dont black out.
Checking him out on YouTube I have seen a few really lighthearted, almost comedy covers ('My Heart Will Go On' and 'Stan' have lingered in my memory) either, or any other of which would have made some really good breaks in the intensity. He did cover Leonard Cohen, however, and he has a cover of The Smiths 'There Is A Light' on his myspace, so I guess he likes to cover dark songs as well as 'pop' ones, depending on his mood.
The support was Ruarri Joseph who was also highly enjoyable, and somewhat more optimistic in his words. I'm not sure if it was the lack of intensity, or something in the music, but I wasn't nearly as moved by his performance as David Ford's one. I'd quite like to be Ruarri Joseph's friend- but I didn't feel compelled to buy (Well, illegally download) his CD.
I also visited the narrowest street in the world (well nearly- see later)- which is only 64 cm wide at one end.
The wide (1.2m) end of the 2nd narrowest street in the world
However, after the narrowest street glory days of the 80's and 90's, the success was shook to its core in 2007 when a street in Germany successfully challenged Parliament and took its place in the Guinness Book of Records.
Have a look at the photo though. That's not a street! Its a gap between a building and a house- and a wooden house at that. Surely there must be some mistake. The standards of the Guinness World Records seem to have gone right off since Mcwhirter carked it. Theres no way he would have stood for this. Im seriously considering getting in there and sorting the world records team out before their own stock starts laughing at them.
I did wonder what criteria 'a street' actually has to have, but the Exeter one has at least got some doors to flats on it, so people live there. If the German ones allowed I may as well buy a bit of land, build two houses close together and then write to the council and say the 5 cm gap between them is a street. The Germans have missed the whole spirit of the narrowest street competition.
I think Exeter council should get some cement and reduce the gap slightly, just enough to get some of Mcwhirter's paduwans down with their ruler. I want to see Parliament Street back where it belongs as top of the narrow street pile.
Weight loss jabs, COP29, and Brainy birds
6 days ago
6 comments:
I actually saw David Ford last year open up for Ray LaMontagne and was very impressed. He did the same opening stint with the instruments... and just sang with utter passion. I could see how a whole show would require a lot of processing, though.
Hell yeah, Parliament Street has been robbed. Count me in for some vigilante Rendering, I'm at the ready with my Rendering Trowel!
The last bit of this post reads a bit like one of Richard Herring's blog posts (a high compliment indeed!)
Damn Germans. They need a good Norrising...
I agree totally on the street. It make me want to go over to germany with a digger and move that house along a bit.
I will check out the Tubery when I get home.
PP- He is nothing if not intense- youve got to admire it, if be a little scared as well. He is over the pond quite a lot by the look of the YouTube hits (I think he is more successful than I first imagined)
AMC- Rendering trowels at the ready! We could so knock that house over!
ant- Thanks! I used to love Lee and Herring- they introduced me to the legend of Norris Mcwhirter. And The Curious Orange- remember that?!
Toast- perhaps I really should go over and see it. See how secure it seems. It could be a new campaign to focuc on!
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